TABLE OF CONTENTS

INTRODUCTION by Placida Staro

EDITORIAL COMMENTS by Ann R. David and Rebeka Kunej

CONFERENCE PROGRAMME

THEME 1: Reconsidering knowledge production in dance research

Stefanie ALISCH
Introducing Angolan kuduro dance and the interactive dance interview method

Joško ĆALETA, Iva NIEMČIĆ
Cultural promotion and symbolic (re)presentation of communities' music and dance traditions: Lastovo carnival case study

Fahriye DINÇER
Working through challenges in ethnographic research processes: a personal reflection on oral interviews

László FELFÖLDI
The Institute for musicology in Budapest as a Research Centre for Traditional Dances

Konstantina GIATRA, Myrto KARFI (Student paper)
Reconsidering knowledge production in dance research through the symposia of the ICTM study group on ethnochoreology (1988–2018)

Marie-Pierre GIBERT, Andriy NAHACHEWSKY, Mats NILSSON (Panel 2)
Mistakes in/as knowledge production

Dorota GREMLICOVÁ (Panel 3)
Formulating dance history: Alfred Waldau's geschichte des böhmischen nationaltanzes (1861)

Lucie HAYASHI (Panel 3)
Dance research in the Czech Republic

William KEARNEY
Towards a multimedia choreomusicology: exploring the potential of digital animation as a tool in sound-movement research dissemination

Laura KOLAČKOVSKÁ (Student paper)
Folk dance in the city: the Folklove community

Radboud KOOP
The international folk dance repertoire: labeled commodities and the myth of village sources

Henrik KOVÁCS
A teaching method for the revival of traditional dance

Daniela MACHOVÁ (Panel 3)
Researching dance in the Czech Republic

Mehmet Öcal ÖZBILGIN
Restructuring folk dance education to reflect the political views of the 21st century

Else SCHMIDT
Standardization tendencies in Austrian dance communities

Elina SEYE
Local dance knowledge on video

Tomaž SIMETINGER
Dance folklorism in the light of cultural politics in Slovenia

Lika TSNOBILADZE (Student paper)
Reconsidering and studying the dance during the self-confrontation interview with a dancer in question

Tvrtko ZEBEC
Dance research within digital humanities

THEME 2: Inclusion/exclusion in dance communities

Theresa Jill BUCKLAND (Panel 4)
Strategies of inclusion: crossing boundaries, building bridges? Fresh strategies and echoes from Austria and England

Chariton CHARITONIDIS (Panel 5)
"Dance is... for everyone". A reflective approach on the "openness"of an outdoor social dance project in the contemporary urban context of Greece

Ann R. DAVID
Dance, inclusivity, health: bodies and well-being centre stage

Konstantinos DIMOPOULOS (Panel 5)
From inclusion to exclusion: Reshaping the gender participation in the dance Karagouna in Megala Kalyvia, Trikala, Greece

Kristina DOLININA
Tendencies for inclusion and exclusion in the contemporary Kathak dance teaching scene

Eleni FILIPPIDOU
Dance and social integration: Greek Gagauz strategies of acculturation through the example of the dance Syrtos kalamatianos

Georgios K. FOUNTZOULAS (Panel 5)
From exclusion to inclusion: The case of Syrtos dance in Kythnos [Thermia], Cyclades, Greece

Georgiana GORE (Panel 4)
Kinaesthetically based bonding between krumpers and 'contemporary' dancers in the project Raw. Expression brute de la rage

Corina IOSIF (Panel 4)
The ideology of authenticity and the media manipulation

Daniela IVANOVA-NYBERG
Dance, Covid-19, and the notion of flow: interpreting dance experience(s) under pandemic restrictions

Maria Ι. KOUTSOUBA (Panel 4)
Greek traditional dance 'in fashion': in the Greek dance scene

Mojca KOVAČIČ
Representations of ethnic minority folk dance ensembles: official discourses, identity constructions, individual needs and everyday realities among Bosniak youth in Slovenia

Csilla KÖNCZEI (Panel 4)
RromaNative&Co. A collaborative intercultural movement-theatre project of Tranzit Foundation in Cluj, Romania

Rebeka KUNEJ
A folk dance ensemble between a cultural society and a dance community

Dilyana KURDOVA
Sakrovishtnitsata – a virtual dance community

Stephanie SK MARBACH
Competing in the living room: examining the surge of digital competitions in Irish step dancing during the pandemic in 2020

Carmel McKENNA
"Reels on Wheels": practitioner reflections on a pilot adapted Irish céilí dance programme for wheelchair users

Jeanette MOLLENHAUER (Panel 6)
The white pages

Katarina NIKOLIĆ (Student paper)
Serbian and Romanian Balls: the paradox of ethnically determined dance events as a medium of social inclusion in South-eastern Hungary

Juliette Angela O’BRIEN
The dancing meme and cultural inclusivity

Judith E. OLSON (Panel 7)
Covid-19 on the dance floor: how Hungarian dance groups in Eastern North America are coping with Covid-19

Shanny RANN (Student paper)
Like dance but not dance: situating Taiji within the discourse of dance studies in the case of Sanxing Taiji

Stephanie SMITH (Panel 6)
Confronting the past: organizational responses to the language and complex legacy of Cecil Sharp in Anglo-American dance

Anna SZÉKELY (Panel 7)
Hungarian revival folk dancers during the coronavirus epidemic

POSTER PRESENTATIONS

Fatema ALBASTAKI
Hip hop and martial arts - crossover in marginal spaces

Nena COUCH
The Dance Notation Bureau Collection and related dance holdings at The Ohio State University

Lia Fernandes MEIRELLES
From the inside to the outside: the transmission of contemporary dance in the context of Yuval Pick's dance company

Sydney HUTCHINSON
"All the young people are dancing": socialism vs. social dance in East Germany

Emma PETROSYAN
The art of acrobats and ropewalkers in Armenian tradition

Magdalena Maria WOLF
'Authentic' attraction: Styrian folk dance as a commodity between tourism, expectation, and stylization

BIOGRAPHIES

PHOTOGRAPHIC MOMENTS OF THE 32ND SYMPOSIUM